Of all the brilliantly scathing lyrics on Pulp’s 1995 classic Different Class, my favourite has to be this line from I Spy: “Take your Year in Provence and shove it up your ass.” Even if you’ve not read your Peter Mayle, you know exactly who the target is: a self-satisfied middle class who’ve mistaken educational privilege for intellectual and moral exceptionality, and are to be found using cultural tokens – the cottage in France, the wine from Tuscany, the opera tickets for Bayreuth – to state and restate their presumed superiority over the common masses.
I couldn’t get this lyric out of my head when looking at images of last Saturday’s anti-Brexit March for Europe in London. I didn’t want to think of it. I’m an out-and-out pro-Remain Europhile. I studied languages at university, completed a PhD in German literature and have worked in modern language publishing for the past 12 years. My relationship with European culture is not a casual one – it is committed and passionate. Yet there’s something about that march, and about pro-Remain discourse in general, that is making me uneasy.
For instance , this is how Spiked’s Tom Slater wrote up what he called the “march against the masses”:
For all the Remain camp fearmongering about post-Brexit xenophobia, its own fear and loathing of the Leave-voting masses was on full show.[…] Anyone who believes in democracy, whether Remainer or Leaver, should be appalled by the bald, elitist sentiments now being expressed.