I was 17 when the allegations that Woody Allen had abused his daughter Dylan Farrow first surfaced. I’d never seen one of his films – and haven’t enjoyed any of those I’ve subsequently watched – but I knew straight away whose side I was on: Team Woody all the way.
I just knew, as did everyone else, that mad, vengeful Mia Farrow had made up the whole thing to punish Allen for his relationship with Soon Yi Previn. Like everyone else, I felt sorry for Dylan, not because I thought she’d been abused, but because she had Mia for a mother. No wonder Woody left her. No wonder Soon Yi betrayed her. What a horrible, twisted individual Mia must be. Back then, I already considered myself a feminist, but I resented Farrow for putting on such a stereotypical performance of woman scorned. She had, I felt, let us all down.
Twenty years later the same story’s still running. Some of us have learned, through hard experience, to question it, others have not. Some of us believe this is the only thing that can make sense. After all, there is logic, of sorts. We already have our villain – angry, unforgiving Mia – and as for the idea that Allen could be an abuser after all? Well, that’s just too weird.